Pomona, über-reif [Pomona; overripe] (2018)
for cello and piano
length: 10:00"
Two Marimbas (2018)
for two marimbas
length: 6:30"
Pomona, über-reif [Pomona; overripe] (2018)
for cello and piano
length: 10:00"
Orfandade (2018)
for soprano and guitar
length: 4:40"
poem by Adélia Prado
Three Miniatures (2018)
for guitar
length: 5:00"
Embracing Emptiness (2018)
for percussion, electronic sounds and visual projection (or percussion solo)
length: 16:00"
Noturno No. 2 (2017)
for piano and live-electronics
length: 13:00"
commissioned by the Moscow Autumn Festival 2017
FP: November 9, 2017, Moscow, Russia, Union of Composers; Gary Barnett, piano; Paulo C. Chagas, live-electronics
I am a voice without a form (2017)
for flute
length: 3:30"
FP: November 8, 2017, Moscow, Russia; Studio Gutbrod; Max Gutbrod, flute
The Human Being (2017)
for cello
length: 6:30"
FP: January 26, 2017, Riverside (CA), USA, University of California, Riverside, Performance Lab ARTS 166; Lars Hoefs, cello
The Human Being (2018)
for cello
length: 5:00"
FP: January 26, 2017, Riverside (CA), USA, University of California, Riverside, Performance Lab ARTS 166; Lars Hoefs, cello
Sisyphus of the Ear (2016)
for percussion, electronics sounds and film
length: 16:00"
film by Johannes Birringer
commissioned by the Moscow Autumn Festival 2016, Moscow, Russia
FP: October 30, 2016, Ufa, Russia, Bashkir Philharmonic Society; Thierry Miroglio, percussion; Paulo C. Chagas, electronics
Noturno No. 1 (2015)
for piano
length: 10:00"
FP: May 26, 2015, Bucharest, Rumania; Bucharest National University of Music, George Enescu Hall; Gary Barnett, piano
Canção do Amar sem Tempo [Song of Timeless Love] (2011)
for soprano, cello and percussion
length: 14:00"
text: Paulo C. Chagas
Time Wheel (2011)
for viola and live electronics
length: 11:00"
FP: April 7, 2011, Riverside (CA), USA, Culver Center of the Arts; Alma Lisa Fermandez, viola; Paulo C. Chagas, live-electronics
Bodenlos for Vilém Flusser (2011)
for chamber ensemble (13 players)
length: 9:30"
flute, oboe, clarinet in Bb, mandolin, guitar, harp, piano, two percussion, violin, viola, violoncello, contrabass
Impulso [Impulse] (2010)
electronic music
length: 2:28"
sound projection: stereo
FP: April 15, 2010, Lisbon, Portugal, Auditório Philippe Friedman, Instituto Franco-Português
Temporal Properties of the World: digital oratorio (2010)
digital oratorio
length: 70:00"
for soprano, tenor, cello, piano, two percussion, live-electronics and visual projection
text: Paulo C. Chagas
O Sonho e a Selva [The Dream and the Jungle] (2005)
for soprano, bass clarinet, percussion and electronic sounds
length: 13:00”
text: Jorge Luis Borges
FP: June 9, 2005, Paris, France, Cité de la Musique: Andrea Kaiser, soprano; Paulo Passos, clarinet/bass clarinet, Joaquim Zito Abreu, percussion; José Augusto Mannis, sound projection
Blind City (2004)
interactive opera installation
length: 30:00"
for soprano, actors, dancer, speakers, electronic sounds and visual projection
libretto: Johannes Birringer, Paulo C. Chagas
text: Jose Saramago (from the book Blindness)
FP: July 18, 2004, Göttelborn coal mine (Saarland), Germany
Carrie Henneman, soprano; Johannes Birringer and Angeles Romero, actors; Kristin Hapke, dancer; Natalie Kolaric and Laurie Stone, speakers; Lynn Lukas and Johannes Birringer, video; Christian/Studiometis, DJ; Johannes Birringer, stage direction, Paulo C. Chagas, musical direction, Patrick Delges, interactive sound and light design, programming
Zeit-Wände VII [Time Walls VII] (2003)
audiovisual installation
length: permanent
video: Inge Kamps
FP: October 25, 2003, Cologne, Germany, Deutzer Bridge
In-sein/Ausser-sein [Being in/Being out] (2003)
electronic music
length: 8:45"
sound projection: 8-channel or stereo
FP: October 24, 2005, Seoul, South Korea; International Computer Music Festival, Theater in Seoul Arts Center
Trabalhos II [Works II] (1991/2003)
for percussion ensemble (8 players)
length: 6:00"
FP: November 15, 2003, Kassel, Germany, Minimal Music Festival; percussion ensemble of the Cologne Academy of Music: Albert Kedves, Andreas Wahl, Cezara Pop, Christoph Nanquete, Ha-Na Yoo, Panagioata Karamouzi, Ralf Kurley, Selcuk Alika; directed by Carlos Tarcha
Trabalhos I [Works I] (1991/2003)
for percussion ensemble (7 players)
length: 6:00"
FP: November 15, 2003, Kassel, Germany, Minimal Music Festival; percussion ensemble of the Cologne Academy of Music: Albert Kedves, Andreas Wahl, Cezara Pop, Ha-Na Yoo, Panagioata Karamouzi, Ralf Kurley, Selcuk Alika; directed by Carlos Tarcha
Visions Room (2003)
interactive electronic music and text installation
length: permanent
interactive design and graphics programming: Arjen Keesmaat
FP: July 12, 2003, Göttelborn coal mine (Saarland), Germany
Circular Roots (2003)
for violin, electronic sounds and interactive visual projection
length: 14:00”
video: Luiz Carlos Joels
interactive design and image processing: Patrick Delges
commissioned by the CRFMW (Centre de Recherches et Formation Musicales de Wallonie). Liège, Belgium
FP: March 16, 2004, Brussels, Belfium, Festival Ars Musica, Theater Mani; Izumi Okobo, violin; Patrick Delges, interactive image processing; Jean-Marc Sullon, electronics and sound projection
Enblick II (2002)
electronic music
length: 1:30"
sound projection: stereo
Der Blaue Raum [The Blue Room] (2001)
for speaker and electronic sounds
length: 22:00"
text: Novalis and Haroldo de Campos
commissioned by Festival “Moscow Autumn 2001”, Moscow, Russia
FP: November 11, 2001, Moscow, Russia, Festival “Moscow Autumn 2001”, Union of Composers; Kornelia Bittmann, speaker; Paulo C. Chagas, sound projection
Spheres II: Intimacy (2001)
for guitar and harp
length: 9:00"
commissioned by Lucien Plessner, Cologne, Germany
FP: October 19, 2001, Bendorf, Germany, Lutherian Church; Lucien Plessner, guitar; Konstanze Jarczyk, harp
Projektion: 12 channel sound installation (2001)
sound installation
length: permanent (105:00” loop)
sound projection: 12 channel
commissioned by City Witten
FP: May 4, 2001, Witten, Germany, Festival “Wittener Tage für Neue Kammermusik”, Haus Witten; Paulo C. Chagas and Volker Müller, installation and sound projection
Visions Machine (2000)
for mime, percussion and electronic sounds
length: 40:00"
mime: Isidoro Fernandez
FP: October 22, 2000, Cologne, Germany, Stadtgarten; Isidoro Fernandez, mime and stage director; Michael Weilacher, percussion; Paulo C. Chagas, sound projection
Spheres I: Soap Bubbles (2000)
for bass clarinet and marimba
length: 14:00"
commissioned by Diálogo Produções (Joaquim Abreu), São Paulo, Brazil
FP: October 18, 2000, Rio de Janeiro, Brazil; Paulo Passos, bass clarinet, Joaquim Zito Abreu, marimba
Projektion: electronic music and laser installation (1999)
electronic music and laser installation
length: 18:00"
sound projection: 8 channel
laser: Rainer Plum
FP: November 14, 1999, Liège, Belgium, Musée d:00”Art Moderne et d:00”Art Contemporain; Paulo C. Chagas, sound projection
The Human Being (2018)
for cello
FP: January 26, 2017, Riverside (CA), USA, University of California, Riverside, Performance Lab ARTS 166; Lars Hoefs, cello
Märchen aus dem Metakino: das Choreoskop [Tales from the Meta-Cinema: the Choreoscope] (1997)
interactive audiovisual installation
length: permanent (30:00” loop)
graphic design: Roy Herbst
software and computer animation: Aeldrik Pander and Jelske Kloppenburg
commissioned by BEC (Bonn Research Center of Computer Media), Germany
FP: October 23, 1997, Bonn, Germany, BEC, Tapetenfabrik; Paulo C. Chagas, programming and sound projection
Artaud (1997)
electronic music for dance theater
length: 80:00”
choreography: Ismael Ivo
commissioned by the National Theater Weimar, Germany
FP: July 18, 1997, Ludwigsburg, Germany, Theater im Forum, Schlossfestspiele; Ismael Ivo, choreography
Transe [Trance] (1997)
electronic music
length: 8:15"
sound projection: stereo
FP: June 8, 1998, Cologne, Germany, Alte Feuerwache; Paulo C. Chagas, sound projection
Festa do Bonfim [The Feast of Bonfim] (1997/2017)
for 3 percussion players and electronic sounds
length: 18:00"
commissioned by Trio Franco-Brésilien, São Paulo/Paris
FP: April 9, 1997, Marseille, France, Théâtre National de Marseille, La Crée; Trio de Percussion Franco-Brésilien (Joaquim Abreu, Carlos Tarcha, Tierry Miroglio); Paulo C. Chagas, sound projection
Capivara (1997)
electronic music for dance
length: 70:00”
choreography: Lina do Carmo
commissioned by Lina do Carmo Dance Company, Germany
FP: April 6, 1997, Cologne, Germany, Theater Tanz Performance; Lina do Carmo, dance
Mutações [Mutations] (1996/2017)
for 2 percussion and electronic sounds
length: 24:00”
commissioned by Duo Diálogos, São Paulo, Brazil
FP: October 24, 1996, São Carlos (SP), Brazil, SESC; Duo Diálogos (Carlos Tarcha and Joaquim Zito Abreu), percussion
FP: (revision 2017, performed with dance): August 26, 2017, Brasília, Brazil, Teatro da Caixa Cultural Brasília, Festivl Cena Contemporânea; Joaquim Abreu and Thierry Miroglio, percussion; Gícia Amorim and Sophie Jégou, dance
Observation Environment (1996)
electronic music and computer animation installation
length: 45:00”
sound projection: 4 channel
software and computer animation: Aeldrik Pander and Jelske Kloppenburg
commissioned by BEC (Bonn Research Center of Computer Media), Germany
FP: September 1, 1996, Bonn, BEC, Tapetenfabrik; Paulo C. Chagas, programming and sound projection
Observation Suite: Sceneries for a Dancer and Virtual Actors (1996)
length: 51:00”
electronic music, multimedia an interactive performance
choreography: James Saunders
computer animation: Aeldrik Pander and Jelske Kloppenburg
video: Inge Kamps
commissioned by BEC (Bonn Research Center of Computer Media), Germany
FP: June 12, 1996, Bonn, Germany, BEC, Tapetenfabrik; James Saunders, dance and director; Paulo C. Chagas, programming and sound projection
Observation Suite: electronic music (1996)
electronic music
length: 51:00"
sound projection: 4 channel, stereo
FP: June 12, 1996, Bonn, Germany, BEC, Tapetenfabrik
Un invisible laberinto de tiempo [An Invisible Time Labyrinth] (1996)
for chamber ensemble (8 players)
length: 12:00"
oboe, clarinet in Bb (bass clarinet), trombone, two percussion, piano, viola, cello
commissioned by Ensemble Champ d:00”Action and Festival Ars Musica. Belgium
FP: March 20, 1996, Brussels, Belgium, Festival Ars Musica, Albert Hall; ensemble Champ d’Action conducted by Celso Antunes
The Human Being (2018)
for cello
FP: January 26, 2017, Riverside (CA), USA, University of California, Riverside, Performance Lab ARTS 166; Lars Hoefs, cello
Fogo [Fire] (1995)
for organ
length: 9:00”
commissioned by Martin Herchenröder, Siegen, Germany
FP: November 12, 1995, Siegen, Germany, Church Nikolaikirche; Martin Herchenröder, organ
Aboio (1995)
for amplified vocal quartet (SATB)
length: 24:00”
text: Augusto de Campos
commissioned by the “European Institute of Choral Singing”, Luxembourg
FP: September 16, 1995, Luxembourg, Luxembourg, International Symposium “Musica Choralis 2000”, Conservatoire de Musique; Helix Ensemble conducted by Paulo C. Chagas
Fragment (1995)
for double bass
length: 3:00”
commissioned by the Conservatoire Royal de Liège, examination piece for the double bass class
FP: July 1995, Liège, Belfium, Conservatoire Royal de Musique; students of the double bass class
O Rio VIII [The River VIII] (1994)
for percussion and electronic sounds (from Der Fluss)
length: 5:00”
FP: August 5, 1997, Salvador, Brazil, University of Bahia; Thierry Miroglio, percussion
Der Fluss [The River] (1994)
scenic oratorio
length: 75:00”
libretto: Simone Rist
text: João Cabral de Melo Neto
commissioned by the Stuttgart Academy of Music and the “Latin American Media Society”, Stuttgart, Germany
FP: October 4, 1994, Stuttgart, Germany, Wilhelma Theater; Simone Rist, stage director; Klaus Fritz, sound projection; ensemble from the Stuttgart Academy of Music conducted by Joyce Shintani
Global Village/Hidden Pathways (1993)
interactive electronic music, installation, and performance
length: 30:00”
video installation, holography and text: Doris Vila
commissioned by BEC (Bonn Research Center of Computer Media), Germany
FP: December 10, 1993, Bonn, Germany, BEC, Atelier Chip Art (Tapetenfabrik); Daniela Gierok, singer and performance, Paulo C. Chagas, programming
The Book of Air (1993)
interactive electronic music and holography/video installation
length: permanent (40:00” loop)
video and holography installation: Doris Vila
commissioned by BEC (Bonn Research Center of Computer Media), Germany
FP: June 25, 1993, Bonn, Germany, BEC, Atelier Chip Art (Tapetenfabrik); Paulo C. Chagas, programming and sound projection
Transaparência (1992)
for 3 trumpets and electronic sounds
length: 6:00”
FP: July 23, 1992, Campos de Jordão (SP), Brazil, “Festival de Inverno de Campos de Jordão”, Festival Hall; Roberto Gastaldi, Fernando Guimarães and Maurício Aguilar, trumpet; Paulo C. Chagas, sound projection
Rasender Stillstand (1992)
interactive electronic music and live performance
length: 15:00”
scenary: Paulo C. Chagas
light desing: Lu Mettelsiefen
commissioned by BEC (Bonn Research Center of Computer Media), Germany
FP: July 9, 1992, Bonn, Germany, BEC, Tapetenfabrik; Ursina Mink, performance, Paulo C. Chagas, programming and sound projection
Rasender Stillstand (1992)
electronic music
length: 4:50“
sound projection: stereo
FP: July 9, 1992, Bonn, Germany, BEC (Bonn Research Center of Computer Media), Tapetenfabrik; Paulo C. Chagas, sound projection
Raptus (1992)
for dancer, two percussion and live-electronics
length: 60:00”
choreography: Claudio Bernardo
commissioned by the City Culture Council, Cologne, Germany
FP: July 3, 1992, Cologne, Germany, Studio Bühne; Claudio Bernardo, dance; Samson Gassama and Daniel Moreno, percussion; Paulo C. Chagas, keyboard and live-electronics; Detlev Schwarz, sound projection
Cores [Colors] (1992)
for vocal quartet (SATB)
length: 12:00”
text: Paulo C. Chagas
Pas de Deux (1991)
for violin and cello [from Sodoma]
length: 8:00”
FP: November 28, 1992, Brussels, Belgium, Botanique; Tierry Huchin, violin; Svetlana Bogosavljevic, cello
Triptych (1991)
for harp
length: 8:00"
FP: November 27, 1991, Voronezh, Russia; Vera Savini, harp
Sodoma Suite (1991)
for vocal quintet (SSATB), string orchestra, percussion and electronic sounds [from Sodoma]
length: 43:00”
text: O.T., Lamentations of Jeremiah
FP: November 28, 1992, Brussels, Belgium, Botanique; Heike Michaelis, Thomas Osterhoff and Thomas Meixner, percussion; Paulo C. Chagas, sound projection; Helix Ensemble and Tippett Ensemble conducted by Celso Antunes
Instruments: strings (at least 9.3.3.1), percussion (3 players), MIDI master keyboard (optional)
Electronics: sampler and MIDI master-keyboard (or 2 tracks digital audio tape); sound projection: stereo
1. Cordas; 2. Procissão 2; 3. Vasos; 4. Atabaques; 5. Luta; 6. Pas de Deux; 7. Découverte du Corps; 8. Arrivée de la femme; 9. Leçon des Voyelles; 10. Procession 1
Leçon des Voyelles (1991)
for vocal quintet (SSATB) and electronic sounds [from Sodoma]
length: 4:00”
FP: November 28, 1992, Brussels, Belgium, Botanique; Helix Ensemble conducted by Celso Antunes; Paulo C. Chagas, sound projection
Découverte du Corps (1991)
for 3 female solo voices (SSA) [from Sodoma]
length: 3:00”
recorded on CD SUBCD 026-48
Sal [Salt] (1991)
for vocal quintet (SSATB) [from Sodoma]
length: 3:00”
Garotos [Kids] (1991)
for 4 percussion [from Sodoma]
length: 3:00”
recorded on CD SUBCD 026-48
Atabaques [Drums] (1991)
for 3 percussion [from Sodoma]
length: 1:00”
FP: November 28, 1992, Brussels, Belgium, Botanique; Heike Michaelis, Thomas Osterhoff, Thomas Meixner, percussion; conducted by Celso Antunes
Machine de Vision [Vision Machine] (1991)
5 etudes for electronic music, instruments and voices ad libitum
length: 15:00”
composed in collaboration with Paulo Alvares
FP: August 29, 1991, Belo Horizonte, Brazil, Faculty of Music, University of Minas Gerais; Paulo Alvares, piano
Véhicule Dynamique [Dynamic Vehicle] (1991)
electronic music [from Machine de Vision]
length: 2:25”
sound projection: stereo
FP: August 29, 1991, Belo Horizonte, Brazil), University of Minas Gerais, Music Departmen
5 Preludes (1991)
for piano
length: 15:00”
preludes 1-4 for piano solo; prelude 5 for two pianos or piano and tape
FP: March 10, 1991, Amsterdam, Holland, Ysbrecker; Klaas Baker and Gerard Bouwhuis, piano
Vom Kriege I [From War I] (1990)
chamber opera
length: 25:00”
libretto: Paulo C. Chagas and Bettina Zacher
text: Ernst Jünger
FP: March 10, 1991, Amsterdam, Holland, Ysbrecker; Charles van Taassen, baritone; Klaas Baker and Gerard Bouwhuis, piano; Paulo C. Chagas, director and sound projection
Vom Kriege III [From War III] (1989)
chamber opera
length: 35:00”
libretto: Paulo C. Chagas and Bettina Zacher
Text: Ernst Jünger and F. T. Marinetti
FP (concert version): January 29, 1990, Cologne, Germany, Academy of Music (Musikhochschule); Paulo C. Chagas, sound projection; choir und ensemble from the Cologne Academy of Music conducted by Celso Antunes
Oddort (1989)
chamber opera
length: 41:00”
libretto: Paulo C. Chagas
text: Louis-Ferdinand Céline (from the book Rigodon)
Award: “L:00”Opera Autrement”, Centre Achantes, Paris, France
FP (concert version): July 12, 1989, Villeneuve Lez Avignon, France, Festival d:00”Avignon, Chapelle des Pénitens Gris; Paulo C. Chagas, sound projection; Orchestre Lyrique Région Avignon-Provence conducted by Dominique My
Ellipse (1986)
for mime (or dance) and electronic sounds
length: 14:10”
commissioned by Isidoro Fernandez, Germany
FP: December 9, 1987, Cologne, Germany, Kefka Theater; Isidoro Fernandez, mime
Fais-moi peur (1985)
electronic music [from Peep Show]
length: 4:23”
sound projection: stereo
FP: February 13, 1986, Cologne, Germany, Musikhochschule; Hans-Ulrich Humpert, sound projection
Computer III (1985)
electronic music [from Peep Show]
length: 4:24”
sound projection: stereo
FP: February 13, 1986, Cologne, Germany, Musikhochschule; Hans-Ulrich Humpert, sound projection
Computer II (1985)
electronic music [from Peep Show]
length: 3:02"
sound projection: stereo
FP: February 13, 1986, Cologne, Germany, Musikhochschule; Hans-Ulrich Humpert, sound projection
Computer I (1985)
electronic music [from Peep Show]
length: 3:40”
sound projection: stereo
FP: February 13, 1986, Cologne, Germany, Musikhochschule; Hans-Ulrich Humpert, sound projection
Pornokabel (1985)
for actor, electronic sounds and image projection [from Peep Show]
length: 9:43”
text: Horst Tonmeyer
FP: February 13, 1986, Cologne, Germany, Musikhochschule; Paulo C. Chagas, actor; Hans-Ulrich Humpert, sound projection
Du bist ein Schwein [You are a Jerk] (1985)
for actress/singer, drums and electronic sounds [from Peep Show]
length: 8:13”
text: Stephanie Mühle
FP: February 13, 1986, Cologne, Germany, Musikhochschule; Stephanie Mühle, actress; Frank Köllges, drums; Hans-Ulrich Humpert, sound projection
Baiser [Kiss] (1985)
for actress, actor and electronic sounds [from Peep Show]
length: 3:36”
text: Paulo C. Chagas
FP: 1986, Liège, Belgium; Stephanie Mühle, actress; Paulo C. Chagas, actor; Hans-Ulrich Humpert, sound projection
Magisches Auge [Magic Eye] (1985)
for actress, actor and electronic sounds [from Peep Show]
length: 4:38”
text: Bettina Zacher and Paulo C. Chagas
FP: February 13, 1986, Cologne, Germany, Musikhochschule; Stephanie Mühle, actress; Paulo C. Chagas, actor; Hans-Ulrich Humpert, sound projection
Eshu: music theater (1984)
music theater
length: 23:00”
libretto: Paulo C. Chagas and Bettina Zacher
FP: November 4, 1984, Cologne, Germany, Musikhochschule; Paulo C. Chagas, stage director and sound projection
Lamento (1984)
for clarinet
length: 8:00”
FP: March 29, 1984, Cirque Divers, Liège, Belgium; Jean-Pierre Peuvion, clarinet
Do You Love Me II (1984)
for vocal quintet (SSATB) and pop band
length: 5:00”
instruments: 2 trumpets, alto saxophone, tenor saxophone, trombone, synthesizer, drums, percussion, bass guitar
text: Ronald D. Laing
Do You Love Me I (1983)
for 3 sopranos and 5 trombones
length: 3:00”
text: Ronald D. Laing
Immer wieder (1983)
for soprano and bass guitar (or double bass, or bass synthesizer)
length: 4:00”
text: Bertolt Brecht
FP: November 13, 1983, Cologne, Germany, Stollwerk; Gabriella Gzella, soprano; Paulo C. Chagas, bass synthesizer
Intérieurs: tableaux (1982)
for flute, cello and piano
length: 12:00”
commissioned by Martin Hesselbein, Maastricht, Holland
FP: March 29, 1984, Liège, Belgium, Cirque Divers; Luciano Zampieri, flute; Jos Kamp, cello; Katia Oppliger, piano
Motet: Illibata Dei Virgo Nutrix (1982)
for brass ensemble (10 players)
length: 14:00”
instruments: 4 trumpets, 4 trombones, horn and tuba
Air: up into the silence (1981)
for alto and electronic sounds
length: 5:00”
text: e. e. cummings
FP: January 31, 1982, Liège, Belgium, Musée de la Vie Wallone; Cécile Leleux, contralto; Paulo C. Chagas, sound projection
Canzona I (1981)
for double bass and piano
length: 10:00”
FP: July 6, 1981, Liège, Belgium, Conservatoire Royal de Musique; Paulo C. Chagas, double bass; Louise Heaney, piano
Capriccio (1980)
for French horn (natural or valve)
length: 8:00”
Recitativo (1980)
for viola da gamba
length: 6:00”
commissioned by Phillipe Pierlot, Liège, Belgium
FP: 1980, Liège, Philippe Pierlot
Lygia Fingers (1979/80)
for soprano, mixed choir (SSAATTBB) and vibraphone
length: 10:00”
text: Augusto de Campos
Harpa Esquisita [Strange Harp] (1979)
for 2 double basses
length: 4:00”
Uma Memória e Memória [A Memory and a Memory] (1979)
for piano
length: 3:00”
FP: 1979, São Paulo, Brazil; Caio Pagano, piano
Variações [Variations] (1978)
for piano
length: 21:00”
commissioned by the Culture Ministry of São Paulo State, São Paulo, Brazil
FP: July 1978, São Paulo, Brazil, Art Museum of São Paulo (Masp); Caio Pagano, piano
Rios sem Discurso [Rivers without Discourse] (1978)
for mixed choir (SATB)
length: 4:00”
text: João Cabral de Melo Neto
commissioned by the “São Paulo State Choir Association” (Federação de Coros do Estado de São Paulo)
FP: 1978, São Paulo, Brazil; Coro Presbiteriano
A Vladimir Maiakovski II [For Vladimir Mayakovsyi II] (1977)
for flute and piano
length: 8:00”
FP: 1978, Santos (SP), Brazil, Festival “Musica Nova”; Marco Cancelo, flute; Terão Chebl, piano
Webern: de tempos em tempos [Webern: from Time to Time] (1976)
for oboe, clarinet, violin, cello, vibraphone and piano
length: 11:00”
Awarded by the “First National Composition Competition“, Rio de Janeiro, 1977
FP: February 13, 1980, São Paulo, Brazil, University of São Paulo, Music Department; Salvador Masano, oboe; Leonardo Righi, clarinet; Maria Vischnia, violin, Zygmunt Kubala, cello, Terão Chebl, piano; Robert A. de Oliveira, vibraphone; conducted by Celso Del Neri
Three Pieces for Children’s Choir (1975)
for children choir (3 voices)
length: 6:00”
text: Cecília Meireles
FP: 1978, São Paulo, Brazil; Choir “Colégio Rainha da Paz“ conducted by Marcos Antonio Ramos